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By Brendan Fraser
I'm an actor who believes in symmetry. So, for instance, I've balanced my role in Encino Man with my role in George of the Jungle; Blast from the Past with Bedazzled; Dudley Do Right with that Looney Tunes movie. After playing a sometimes bumbling yet overall competent and heroic adventurer in The Mummy movies, however, I decided to throw everyone off by taking on the much more complicated role of Alden Pyle in The Quiet American. I played opposite Michael Caine in that movie. Did you know that? But alas, my need for balance and symmetry eventually got the better of me, and I would play another heroic adventurer in Journey to the Center of the Earth. I don't know where this urge for order, this preference for cosmos over chaos, comes from. Perhaps a desultory childhood spent moving from one place to another with my traveling cosmetics salesman of a father is responsible. In any event, I am caught in a special effects-ridden spiral. It's horrible. And I don't know how to extricate myself from this cyclone of CGI-dependent madness. How did this happen? Remember how great I was in a special effects-less movie like School Ties? Can someone pitch me a movie that doesn't require special effects? It can have special effects, just as long as one scene doesn't. One scene. That's all I'm asking for. Can someone just write a fucking sequel to School Ties?
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